BROADWAY NATION
HistorieA lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality.
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- The Most Produced Play in America: Come From Away (00:38:24)
My guests today are Irene Sankoff & David Hein – the dynamic writing team and married couple that created the giant international smash hit musical Come From Away. Five productions of Come From Away have recently reopened around the world: Broadway, Toronto, London, Sydney and on tour across America. A live filmed version of the show is also streaming on Apple TV+. Irene and David won the 2019 Olivier Award and were nominated for the 2018 Grammy Award and the 2017 Tony Award for their book and score for Come From Away, with the show itself winning the 2019 Olivier Award for Best Musical, three 2017 Dora Mavor Moore Awards, four Helen Hayes Awards, five Outer Critics Circle Awards and three Drama Desk Awards including Best Musical. David and Irene were also the recipients of the 2017 Outer Critics Circle and Drama Desk awards for Best Book. A live filmed version of Come From Away is now streaming on Apple TV+. Their first show, My Mother’s Lesbian Jewish Wiccan Wedding (based on David’s mother’s true story) was produced by Mirvish Productions in Toronto and played and won Best Musical awards across North America, with Sankoff and Hein performing in most productions. They are currently working on projects with Disney, Warner Bros. and Netflix. Irene and David are the recipients of the Good Neighbour Award from the Four Freedoms Park Conservancy and the Meritorious Service Cross of Canada. They are proud members of the Dramatists Guild, Writer’s Guild East and ASCAP. @sankoffandhein In this conversation, we explore how Come From Away fits into the history of the Broadway musical – which musical theater writers from the past influenced Irene and David, and what classic shows inspired them. And we will look back at their first musical, which has the memorable title: My Mother’s Lesbian Jewish Wiccan Wedding. But first, I wanted to find out how they got started down this path in the first place. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Ep 186: GOING HOLLYWOOD — THE OXFORD GUIDES TO FILM MUSICALS (01:16:11)
On this special video and audio episode of Broadway Nation my guests are Dominic Broomfield—McHugh, editor of The Oxford Guides to Film Musicals, along with the authors of the first three books in this new series: Geoffrey Block (Love Me Tonight), Andrew Buchman (Singin' in the Rain), Hannah Lewis (La La Land). You can watch the video version on YouTube, Spotify, and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Ep 185: CHALLENGING SONDHEIM — A conversation with RICHARD SCHOCH, part 5. (00:53:31)
This is the fifth and final episode in this series of conversations with RICHARD SCHOCH, author of the acclaimed book, HOW SONDHEIM CAN CHANGE YOUR LIFE. This week Richard and I discuss two of Stephen Sondheim's most challenging musicals, ASSASSINS and PASSION, as well as his final show HERE WE ARE. If you missed the first four episodes in this series, you may want to catch up with them before listening to this one. Richard Schoch is a Professor of Drama at Queen’s University Belfast in Northern Ireland. He is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 4: Eubie Blake & the Black Artists Who Invented Broadway (00:30:05)
The 1920s brought the second great era of musicals that were written by, staged by, and starring Black theater artists to Broadway. In this episode I profile these brilliant creators and stars including Eubie Blake & Noble Sissle, Flournoy Miller & Aurbry Lyles, Bill "Bojangles" Robinson, and their musicals -- Shuffle Along, Runnin' Wild, Blackbirds of 1929, Hot Chocolates and more. It also includes a brief history of that great African American/Irish American co-creation, Tap Dancing. And featuring music by The Paragon Ragtime Orchestra -- for more music from this era, check out their terrific Black Manhattan series of recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 3: Bert Williams & the Black Artists Who Invented Broadway (00:38:29)
African American theater artists played a significantly larger role in the creation of the Broadway Musical than is generally acknowledged — including an entire decade of nearly forgotten hit shows and songs! In this episode, we will rediscover the early history of Black Broadway and the amazingly multi-talented men and women whose legacy still inspires Broadway today! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Ep 184: SONDHEIM GIVES US MORE TO SEE — A Conversation with RICHARD SCHOCH, part 4. (01:00:24)
My guest again this week is RICHARD SCHOCH, author of the much-acclaimed recent book, HOW SONDHEIM CAN CHANGE YOUR LIFE. This week, we explore two of Sondheim’s most brilliant works, Sunday In the Park with George and Into the Woods. If you missed the first three episodes in this series, you may want to catch up with them before listening to this one. Richard Schoch is a Professor of Drama at Queen’s University Belfast in Northern Ireland. He is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 183: SONDHEIM MAKES HISTORY, a conversation with author Richard Schoch, part 3 (00:58:03)
My guest again this week is RICHARD SCHOCH, author of the much-acclaimed recent book, HOW SONDHEIM CAN CHANGE YOUR LIFE. In the first two episodes of this series, Richard took us deep inside the inner workings and underlying meanings of Gypsy, Company, Follies, and A Little Night Music, and the fascinating characters who inhabit them. This week, we explore two of Sondheim’s most challenging and brilliant works, Pacific Overtures and Sweeney Todd —The Demon Barber of Fleet Street. If you missed the first episode in this series, you may want to catch up with that before embarking on this one. Richard Schoch is a Professor of Drama at Queen’s University Belfast in Northern Ireland. He is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- PodSwap! DAVID ARMSTRONG on THE WRONG CAT DIED podcast. (00:47:09)
“Some people might say CATS is a ripoff of A Chorus Line. I don’t want to go that far but it’s remarkably similar. I think it’s sort of a doppelganger of A Chorus Line.” In this episode, host Mike Abrams welcomes David Armstrong, a fellow Broadway Podcast Network host and author of the newly published book Broadway Nation.'They delve into the rich history of Broadway musicals, highlighting the significant influences and connections, including how the iconic musical CATS ties into this history. Armstrong shares fascinating insights about the evolution of Broadway from his podcast and University of Washington course, the criteria behind the Jellicle choice, and how reality shows like 'Queen for a Day' may have influenced Broadway storytelling. 00:53 David’s Broadway Journey 01:22 The Evolution from Podcast to Book 07:26 The Impact of A Chorus Line on CATS 08:17 The British Theater Transformation 12:16 The Reality Show Parallel 27:54 Assigning CATS to Students 28:39 Discussing the 2019 Movie 35:17 The Jellicle Choice Debate Check out Broadway Nation on Instagram: @davidatbroadwaynation Check out the Broadway Nation Podcast Check out the Broadway Nation Book Produced by: Alan Seales & Broadway Podcast Network Social Media: @TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 182: In Search of Lost Broadway: RIO RITA (01:00:33)
Never fear! Richard Schoch will return soon for the third and fourth segments of our conversation regarding his recent book, How Sondheim Can Change Your Life. In the meantime, I am excited to share with you the first of what I anticipate will become an occasional new series, which I am calling IN SEARCH OF LOST BROADWAY. And in this episode, my guest ALBERT EVANS and I will try to rediscover the hit 1927 musical RIO RITA. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 181: SONDHEIM'S "MOMENTS OF TRUTH" — A Conversation with RICHARD SCHOCH, part 2. (00:45:12)
My guest again this week is Richard Schoch, author of the much-acclaimed book, How Sondheim Can Change Your Life. Last week, Richard took us deep inside the inner workings of both Gypsy and Company. In this episode, through his insightful analysis of the musicals Follies and A Little Night Music, and the fascinating characters who inhabit them, Schoch illuminates Sondheim’s incredible genius for plumbing the depths of human experience. If you missed the first episode in this series, you may want to catch up with it before embarking on this one. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Bonus Episode: The BROADWAY NATION BOOK LAUNCH CELEBRATION! (01:43:44)
Join author David Armstrong for a lively conversation hosted by Alan Seales of The Theatre Podcast celebrating the release of Armstrong's new book, Broadway Nation—How Immigrant, Jewish, Queer and Black Artists Invented the Broadway Musical. With co-host Michelle Simone Miller host of the podcast Mentors On the Mic. At this virtual book launch party you will have the opportunity to meet David Armstrong and hear the inside story of the creation of his first book. You will also have a chance to participate in an exclusive Q&A; and compete with other Broadway fans in a MUSICAL THEATER TRVIA CONTEST to win your own copy of Broadway Nation! Broadway Nation — How Immigrant, Jewish, Queer, and Black Artists Invented the Broadway Musical is a comprehensive history of America’s signature art form, the Broadway musical, with a unique emphasis on the powerful (but often overlooked) impact that marginalized groups have had on its evolution. Inspired by the popular large lecture course that author David Armstrong teaches at the University of Washington School of Drama, as well as his Broadway Nation podcast, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Stephen Sondheim to Lin-Manuel Miranda, who have left an indelible mark on this extraordinary cultural phenomenon. Order the book here: https://amzn.to/3TuoUcl Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 180: "BETTER LIVING THROUGH SONDHEIM" with author RICHARD SCHOCH (00:54:25)
After a brief summer break, I am thrilled to be back with an all-new episode of Broadway Nation! My guest this week is RICHARD SCHOCH, author of the recent and much-acclaimed book, HOW SONDHEIM CAN CHANGE YOUR LIFE. Just when you thought there might be nothing left to say about the musicals of Stephen Sondheim, Schoch's engaging book opens up a new treasure trove of fascinating analysis and insight. Richard Schoch, is a Professor of Drama at Queen’s University Belfast in Northern Ireland, and is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- An Update on Broadway Nation! (00:05:25)
A quick update on what's going on with Broadway Nation podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices
- CRAZY FOR NOSTALGIA! — BROADWAY'S NOSTALGIA CRAZE OF THE 1970s, Part 2. (00:25:01)
In this episode I continue my review of Broadway’s Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease’s enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway’s Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930’s style classic Burlesque show, Sugar Babies. It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart’s On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970’s. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned. Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center’s Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices
- BROADWAY'S NOSTALGIA CRAZE OF THE 1970s, part 1 (00:31:06)
In this episode Albert Evans and I explore the origins of Broadway’s “Nostalgia Craze of the 1970s” — where it came from, and what artistic, social and cultural forces came together to spark this unlikely phenomenon. We trace its origins in the counterculture youth rebellion of the 1960s, the rediscovery of films from the 1930s and 40s on television, and the popularization of gay camp culture via the off-off Broadway mega hit DAMES AT SEA. All of this would lead to the triumphant 1971 Broadway revival of NO, NO, NANETTE — the Vincent Youmans/Irving Ceasar/Otto Harbach musical comedy that has introduced the songs “Tea For Two” and “I Want To Be Happy” way back in the Roaring 20s. With a heavily retooled book, sparkling new orchestrations and arrangements, and a snazzy, art deco-inspired set and costume design, this reincarnation of No, No, Nanette was billed as “the new 1925 musical”. And it became a smash hit, running 861 performances, and winning 4 Tony Awards for Choreography, Costume Design, and for two of its stars, Helen Gallagher, and another vintage movie star, comedian Patsy Kelly (there was no "Best Revival category then). And, after years of it being almost entirely absent from Broadway — Nanette brought tap dancing back into fashion in a major way. Most significantly, Nanette fanned a mania for everything and anything that recalled the music, style, and glamour of the 20s, 30s and 40s. The press dubbed this mania “The Nostalgia Craze” as it quickly spread into every aspect of American life. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 179: THE QUEER PIONEERS OF BROADWAY MUSICAL STAGING (00:31:16)
This episode is adapted from a section of my new upcoming book, Broadway Nation — How Immigrant, Jewish, Queer, and Black Artists Invented the Broadway Musical, which will be released on July 24 (and can be preordered now everywhere books are sold.) In 1919, two gifted young Queer theater artists — Hassard Short and John Murray Anderson —both made their Broadway directing debuts and quickly established themselves as significant forces in the development of the Broadway musical. Even though their names and their work are seldom remembered or acknowledged today, In my view they are, without a doubt, two of the principal inventors of the singular art and craft of Broadway musical staging. Working as competitive colleagues and rivals, they were among the very first to discover and reveal the tremendous impact that dynamic musical staging can provide to a Broadway musical and among the very first to demonstrate how staging and choreography can often be of equal importance to a show’s book, music, and lyrics. Between them, John Murray Anderson and Hassard Short staged more than 70 Broadway musicals, and in the process forged a path that a long line of remarkable (and predominantly gay) directors and choreographers have followed right up to today, including this past week’s Tony Award-nominees and Tony winners. Whether they know it or not, they all stand on the shoulders of these forgotten giants, Hassard Short and John Murray Anderson. Today, I am honored to share at least a small piece of their story. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 178: The Show Goes On, Broadway Hirings, Firings, and Replacements, part 2. (00:41:51)
This week’s episode of Broadway Nation is the second half of my conversation with author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements. Among the outstanding Broadway performers and creatives who are at the center Ron’s fascinating stories include Abe Burrows, Bernadette Peters, Chita Rivera, Comden & Green, Cynthia Erivo, Fantasia, Frank Loesser, Gower Champion, Harold Prince, Howard Keel, Iva Withers, Jane Russell, Jeff Conaway, Jerry Orbach, Jerry Zaks, Jo Swerling, John Cullum, John Kander & Fred Ebb, John Travolta, LaChanze, Leonard Bernstein, Leroy Anderson, Lewis J. Stadlin, Michael Bennett, Michelle Lee, Robert Preston, Rosalind Russell, Shelly Winters, Sheila Smith and Yvonne De Carlo. And the musicals referenced include 1776, Carousel, Company, Follies, Grease, Guys And Dolls, How To Succeed in Business, Kiss of the Spider Woman, Mack & Mabel, Minnie’s Boys, Oklahoma!, The Color Purple, Wonderful Town and more! Ron Fassler is a historian, theater critic, and former actor whose previous book is, Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 177: THE SHOW GOES ON — BROADWAY HIRINGS, FIRINGS, AND REPLACEMENTS, part 1 (00:51:36)
My guest is author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements, a fascinating collection of insider theater stories that range from as far back as the 1930s and go right up to today. The performers and creatives referenced in this episode include Andrea McArdle, Ann Miller, Anne Bancroft, Barbra Streisand, Cameron MacIntosh, Carol Burnett, David Merrick, Dorothy Louden, Hal Lindon, Harold Prince, Helen Gallagher, Jerry Zaks, John Cullum, Lauren Bacall, Lea Michelle, Louis Jordan, Mary Martin, Michelle Lee, Mimi Hines, Pearl Bailey, Shirley Maclaine, Sutton Foster and more! Ron Fassler is a historian, theater critic, and former actor whose previous book was Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Alan Teasley. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 176: In Memory of CHARLES STROUSE (00:44:02)
I, along with the rest of the musical theater world, was saddened to learn that composer CHARLES STROUSE, one of the last of the great creators from the Golden Age of Broadway had passed away last week at the age of 96. Of course, Strouse and his three Tony Award-winning “Best Musicals": Bye Bye Birdie, Applause, and Annie — have been discussed frequently on this podcast. So over the weekend, I dug deep into the archives of Broadway Nation and newly adapted a section of my upcoming book regarding the musical Golden Boy and wove it all together to create this tribute episode, including an excerpt from my 2021 interview with Applause original cast member Lee Roy Reams. I am also delighted to report that a brand-new production of Bye Bye Birdie will open on June 10 at The 5th Avenue Theater in Seattle, where it will play through June 29. If you are in Seattle, or can get there, this is a fantastic opportunity to experience the musical and theatrical magic of Charles Strouse. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Taryn Darr. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Happy Birthday Broadway Nation!: Special Anniversary Encore (00:31:13)
It's hard for me to believe that I launched this podcast exactly five years ago this week, and even harder for me to comprehend that, to date, more than 279,000 people, from nearly every country in the world, have listened to at least one, and in many cases all, of the 175 episodes! So, today it seemed fitting to rerelease the episode that started it all — the very first episode of Broadway Nation: George M. Cohan and the Immigrants Who Invented Broadway. As you will hear, at the time, we were still trying to figure out exactly how to make a podcast, so the production quality is not up to my current standards. However, the content and subject matter are still, I believe, essential to fully understanding and appreciating the remarkable history of the Broadway Musical. Happy birthday, Broadway Nation, and thank you all! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 175: THE OTHER GERSHWIN, part 3, with MICHAEL OWEN (00:51:02)
This is the third and final segment of my conversation with Michael Owen, author of the recent book, Ira Gershwin — A Life in Words. On this episode, Michael and I focus on the period of Ira Gershwin’s career following the death of his brother George, during which he had success on Broadway and in Hollywood with composers such as Kurt Weill, Jerome Kern, Arthur Schwartz, and Harold Arlen, and shows and movies such as Lady In the Dark, The Barkleys Of Broadway, and A Star Is Born, If you missed the first two parts in this series, you may want to catch up with those before listening to this one. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Cheryl Hodges Seldon. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- The Other Gershwin, part 2, with author Michael Owen (00:35:32)
This is the second episode of my three-part conversation with author, historian, researcher, and archivist, Michael Owen, whose recent book, Ira Gershwin — A Life in Words, is the first full-length biography devoted to that outstanding artist who penned the words for many of the greatest songs of the 20th Century. If you missed part one, you may want to catch up with that before listening to this one. Michael Owen is also the author of Go Slow — The Life of Jule London and the editor of The Gershwins Abroad. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as Alan Brodie. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Episode 173: THE OTHER GERSHWIN — with MICHAEL OWEN, author of IRA GERSHWIN — A LIFE IN WORDS (00:50:29)
My guest today is Michael Owen, whose recent book Ira Gershwin—A Life in Words is the first full-length biography devoted to the other Gershwin. In this book, Owen at last brings Ira Gershwin out from behind the long shadow cast by his younger and more famous brother, George. Drawing on extensive archival research, Owen often uses Ira’s own words to create a captivating portrait of a shy and retiring artist who, nevertheless, penned the words for many of the greatest songs of the twentieth century. Michael Owen is a historian, researcher, and archivist. He is the author of Go Slow — The Life of Jule London and the editor of The Gershwins Abroad. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as Geoffrey Block. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Encore Episode: Razzle Dazzle: A Brief History of Lighting Design, part 2. (00:29:28)
This is the second half of this week's Encore presentation of my conversation with Tony-award-winning lighting designer Ken Billington. Last week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken’s own tremendous contribution to it. If you missed part one you may want to catch up with that before listening to this one! Learn more about your ad choices. Visit megaphone.fm/adchoices
- Color and Light — A Brief History of Broadway Lighting Design with Tony Winner Ken Billington (00:41:13)
This is a special encore episode of my 2022 interview with Tony-award-winning lighting designer Ken Billington. This past week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken’s own tremendous contribution to it. This is a two-part conversation and I will be rereleasing both parts this week. Original Description: My guest on this episode is Tony Award winning lighting designer Ken Billington who created the lighting for an incredible 105 Broadway plays and musicals, including 21 productions that were directed by Harold Prince. Ken’s career spans from his very first Broadway show in 1967 when he was the assistant to legendary lighting designer Tharon Musser, to his most recent Broadway show, the hit musical, Waitress. Along the way, he designed the original productions of Sweeney Todd, On The 20th Century, The Drowsy Chaperone, The Scottsboro Boys, The Search For Signs Of Intelligent Life In the Universe starring Lily Tomlin, three revivals of Fiddler On The Roof, two revivals of Sunday In The Park with George, and the still running 1996 revival of Chicago for which he received the Tony Award. I have had the great pleasure of knowing and working with Ken for more than 40 years, and it is always fascinating and always a delight to speak with him. Theatrical lighting design is a very young art form. Its history begins primarily in the early 20th Century -- just as the Broadway musical was being invented. Lighting design’s earliest innovators include the American actress Maude Adams – most famous today for her performance as Peter Pan – and producer, director, playwright, and theater owner David Belasco. One of the recurring themes of this podcast, and one of my obsessions, is how the art and craft of the Broadway Musical have been handed down directly – firsthand – from artists to artists, from craftsperson to craftsperson. Ken Billington’s long career and especially his early experiences as the assistant to the pioneering designers Peggy Clark, Pat Collins, Tom Skelton, William Rittman, and Tharon Musser make him the ideal guest for this episode. And of course, after Ken stopped being an assistant, he eventually became one of Broadway’s most acclaimed and most prolific lighting designers. And we’ll hear the story of how that came about on the next episode of Broadway Nation! You can learn more about Jean Rosenthal, Tharon Musser and other great women lighting designers on Episode 8 of Broadway Nation, which is titled, “Agnes DeMille & The Women That Invented Broadway”. It’s a fascinating episode and I encourage you to check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices