Gripping True Crime stories from neighbourhoods across the UK.Series 9. The Cop, The Kidnap and The Killer
A girl is kidnapped from her home by a man known as 'The Black Panther'. A ransom note is found and police must race to bring the teenager home.Previously on Crime Next Door:Series 1. An Assassin Comes to Town
Gunshots kickstart an extraordinary tale of state terrorism.Series 2. Servants and Saints
Exploring the story and allegations of a global religious group.Series 3. Death on the Farm
After fifty years the community of Llangolman seek justice.Series 4. The Salisbury Poisonings
Follow the public inquiry into the death of Dawn Sturgess.Series 5. The Golden Toilet Heist
Exploring a story of art, mystery and a solid gold toilet stolen from a British palace.Series 6: Who Killed The Shakoors?
A father's fight for justice after surviving a house fire that killed his family.Series 7. The Ballad of Big Mags
A vigilante matriarch with dark secrets comes to regret stepping into the media spotlight.Series 8. When a Catfish Kills
‘Chloe’ isn’t a real girl. She’s a catfish and her demands have fatal consequences.
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The monster becomes a man, British policing is changed forever and deposed Detective Bob Booth has a final shot at redemption in the Lesley Whittle case.Hear a chilling account of heroic acts and the actual voice of 'The Black Panther'.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.ARCHIVE: Bob Booth’s secret recording audio sourced from ‘Real Crime – The Heiress & The Kidnapper’ produced by ITV, 2002
4. Fear of the Monster (00:30:58)
As Bob Booth’s reputation plummets, 'The Black Panther's' is reinforced in the minds of an increasingly terrified population.For the first time, we begin to discover the motivation behind his actions and why he targeted Lesley Whittle.This series contains rare and original archive, some not broadcast since the time.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.
3. An Extraordinary Plan (00:30:45)
Faced with deceptions and dead-ends, Detective Chief Superintendent Bob Booth devises an audacious plan to catch the so-called ‘Black Panther' and save Lesley Whittle.What follows is an elaborate deception of his own, involving the Whittle family and an unsuspecting national media.This series contains rare and original archive, some not broadcast since the time.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.
2. The Career Criminal (00:19:22)
The case takes a dramatic turn when a seemingly unconnected crime reveals a chilling back-story. Lesley Whittle’s kidnapper is far more dangerous than they imagined.'Perfect detective' Bob Booth is faced with a far-from-perfect investigation and the growing realisation that they’re dealing with a monster.This series contains rare and original archive, some not broadcast since the time.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.ARCHIVE : Dudley news report sourced from ‘ATV Today’ produced by ATV.
Bob Booth commentary sourced from ‘Real Crime – The Heiress & The Kidnapper’ produced by ITV.
1. The Perfect Detective (00:32:41)
Detective Chief Superintendent Robert 'Bob' Booth from West Mercia Police is tested by the rarest of crimes. He faces an unprecedented challenge after 17-year-old Lesley Whittle is kidnapped from her home in Highley, Shropshire, and a ransom note is found. The case gripped the nation in 1975 and created widespread public fear.This series contains rare and original archive, some not broadcast since the time.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.ARCHIVE : Bob Booth commentary sourced from ‘Real Crime – The Heiress & The Kidnapper’ produced by ITV.
Introducing The Cop, The Kidnap and The Killer (00:01:52)
Lesley Whittle is kidnapped from her home by a man known as 'The Black Panther'.A ransom note is found and Detective Chief Superintendent Robert Booth from West Mercia Police becomes involved in a race across the country to solve the rarest of crimes and bring the teenager home.The story is now retold by the people who lived through it and will never forget it. This series contains rare and original archive, some of which has not been broadcast since the time.Presenter: Susan Hanks.
Producer: Susan Hanks and Rob Howell.
Sounds Producer: Rob Howell.
Story Consultant: Luke Eldridge.
Online Producer: Rachael Smith.
Executive Producers: Arran Bee and Aftab Gulzar.
Commissioning Editor: Alistair Miskin.
8. Not Alone (00:12:28)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences.
7. Court (00:16:17)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences. This episode features real online messages, read aloud by an AI voice. Find out more about how the BBC uses AI https://www.bbc.co.uk/aboutthebbc/reports/policies/approach-to-ai/
6. Cimarron, Part Two (00:17:02)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences.
This episode features real online messages, read aloud by an AI voice. Find out more about how the BBC uses AI https://www.bbc.co.uk/aboutthebbc/reports/policies/approach-to-ai/
5. 3500 (00:15:41)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences. This episode features real online messages, read aloud by an AI voice. Find out more about how the BBC uses AI https://www.bbc.co.uk/aboutthebbc/reports/policies/approach-to-ai/
4. Emily (00:11:31)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences.
3. Unmasking Chloe (00:11:37)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences.
2. Ivy and Violet (00:10:53)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences.This episode features real online messages, read aloud by an AI voice. Find out more about how the BBC uses AI https://www.bbc.co.uk/aboutthebbc/reports/policies/approach-to-ai/
1. Cimarron (00:11:55)
What do you do when someone you trust turns out to not exist? When ‘Chloe’ starts messaging other teenage girls on social media she is friendly. Fun. Interested. Soon she sends explicit photos, and asks her new friends to send some back. That’s when she changes and the blackmail begins. Because ‘Chloe’ isn’t a real girl. She’s a catfish. And her depraved demands have fatal consequences. This episode features real online messages, read aloud by an AI voice. Find out more about how the BBC uses AI https://www.bbc.co.uk/aboutthebbc/reports/policies/approach-to-ai/
6. Downfall (00:33:19)
Journalist Mark McGivern endures a chilling face-to-face encounter with Mags as the Haneys are backed into a corner. With the public’s attention firmly fixed on the crime family, the police are forced to act.Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
5. Dealer Number 1 (00:16:18)
The Daily Record launch a high profile campaign. After receiving numerous tip offs, undercover journalists
find evidence that may bring matriarch Mags and her empire down. Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
4. Hotel Haney (00:18:06)
Hounded out, the Haneys struggle to find a new home. In a new town, they can’t escape their past as they face violence and anger on the streets once again. Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
3. A Family From Hell (00:23:32)
As her public profile rises, Mags falls foul of ‘tall poppy syndrome’. It becomes clear the Haneys have numerous skeletons in their closet and, not for the first time, the community rises up. Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
2. Notorious (00:21:29)
Mags positions herself as an ‘anti-paedophile campaigner’ and appears on national TV. Back home on the Raploch estate, anger begins to boil as she hogs the headlines. Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
1. Welcome to the Raploch (00:22:43)
In the midst of a ‘paedophile panic’, residents of a Stirling housing scheme take matters into their own hands and one woman grabs the nation’s attention. Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marrisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
Trailer (00:02:20)
It’s the mid 1990s. On the Raploch estate in Stirling, a local community is living in fear. This is a place with many young families, and word is spreading that a convicted paedophile is living among them, placed there anonymously by the local council.Residents worry the streets are no longer safe for their kids, and outraged they weren’t told or consulted.It’s an outrage felt beyond the Raploch estate, and it doesn’t take long for a name and address to find its way into the public domain. Armed with this information, the Raploch rises – as a mob, led by Margaret Haney, known locally as Big Mags. An imposing matriarch, charismatic with a voice like gravel, she’s more than happy to take on the authorities and speak to the media. She becomes a figurehead and spokesperson for a movement devoted to driving the ex-offender out of the area.She succeeds, but for the Big Mags, that that’s just the start, and as her campaign continues, the media become obsessed with this diamond in the rough.She’s on TV. In the papers. Becomes something of a celebrity.Big Mags is always good for a soundbite, and she in turn, seems to enjoy the attention. She doesn’t know it now, but she’s made a huge mistake.As Big Mags has secrets of her own. It’s not that long ago that one of the most serious problems faced by the Raploch Estate were the Haney family themselves.And as Big Mags enjoys the glare of media attention, she will all too soon regret grabbing the limelight. Her 15 minutes of fame will soon become little more than a chapter within in a legacy of infamy. This is the Ballad of Big Mags.Presenter: Myles Bonnar
Written by: Chris Cruickshank, Marisha Currie, Myles Bonnar and Graham Russell
Additional Scripting: Jack Kibble-White
Producer: Chris Cruickshank
Assistant Producer: Marisha Currie
Executive Producers: Graham Russell, Susie Crumless
Sound Design and Mixing: Fraser Jackson
Commissioning Editor: Heather Kane-DarlingA BBC Scotland production for BBC Sounds
5. Justice for my family (00:16:10)
Dr Abdul Shakoor lost his wife and five children in a house fire in Harlow, Essex.He shares his shock at the discoveries we've uncovered relating to the investigation.Dr Shakoor still hopes that one day those responsible will be brought to justice.Written and produced by Gabby Colenso
Presenter: Sonia Watson
Sound Design: John Cameron-McIntosh
Story Consultants: Barney Rowntree and Ben Robinson
Online Producer: Rachael Smith
Series Editor: Shahid Hussain
Commissioning Editor: Alistair MiskinA BBC Essex production for BBC Sounds.
4. Forensic evidence (00:11:52)
Police believe someone broke into their home that night and a fire was started, but no-one has ever been charged. With claims of evidence compromised, mistakes made and missed opportunities. We turn our attention to the crime scene forensics.Hear from people closest to the case, speaking for the first time about their concerns.Written and produced by Gabby Colenso
Presenter: Sonia Watson
Sound Design: John Cameron-McIntosh
Story Consultants: Barney Rowntree and Ben Robinson
Online Producer: Rachael Smith
Series Editor: Shahid Hussain
Commissioning Editor: Alistair MiskinA BBC Essex production for BBC Sounds.
3. A murder investigation (00:14:55)
Police get a breakthrough when something was found dumped near the Shakoor family home, eleven days after the fatal house fire.The discovery means the fire is now officially a murder investigation. As enquiries increase there's a problem, which could provide a reason why this case remains unsolved.Written and produced by Gabby Colenso
Presenter: Sonia Watson
Sound Design: John Cameron-McIntosh
Story Consultants: Barney Rowntree and Ben Robinson
Online Producer: Rachael Smith
Series Editor: Shahid Hussain
Commissioning Editor: Alistair MiskinA BBC Essex production for BBC Sounds.
2. A second fire (00:13:49)
The town of Harlow is in shock after a house fire left Dr Sabah Usmani and her four children dead. A fifth child is on life support in hospital. The father, Abdul Shakoor, is by his daughter's bedside praying for her to pull through. As the community in Essex tries to come to terms with what’s happened, detectives reveal the Shakoor's home wasn’t the only fire in the street that night and the search for answers begins.Written and produced by Gabby Colenso
Presenter: Sonia Watson
Sound Design: John Cameron-McIntosh
Story Consultants: Barney Rowntree and Ben Robinson
Online Producer: Rachael Smith
Series Editor: Shahid Hussain
Commissioning Editor: Alistair MiskinA BBC Essex production for BBC Sounds.
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